Natasha Romanoff (
redintheledger) wrote2013-06-05 01:55 pm
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OOM: Moscow, USSR, January 1947

Four days spent in the nearest approximation to wilderness that geography had to offer near Moscow, which in the middle of winter was no joke. She is glad to be back in the warm and dry, with hot water and no need to try and melt the ice from her eyelashes. Not to mention the ability to wear a civilian girl's clothes, instead of a soldier's layers.
But after four days with the company of Comrade Winter, her room with a bed just for her seems too much like a cell for her to be comfortable in it.
So Natasha is in the common room, newly outfitted with amenities such as some sofas, tables, and a wireless. There is also a piano, old like the sofas but kept in good condition. Despite herself, she gravitates towards it, and walks her fingers across the keys. It reminds her of Papa, and today isn't a very good day for that.
Natasha sits down, and tries to play anyway. She can't remember any of the music Papa taught her, but she can stumble her way through some chords. It's better than sitting in her room and wallowing.
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Part of her thinks: we're agents and spies. But the rest of her weighs up the cost of his name, and she smiles back.
She lowers herself back down onto the street, and touches her head against his shoulder as they start to walk again. She's used to his metal arm by now, but different circumstances breed a different awareness of how it feels under the heavy layers he's wearing.
"Do please tell me, Alex, that our bosses have let you ride the Metro before."
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He turns his head, scanning the street, then adds, wryly,
"Just not here."
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In the daylight, Moscow still shows the scars of war, even two years on - but underneath the ground, everything is beautiful and whole as it ever was.
It is, though, far more crowded than the streets above, and she takes care to keep close to his arm. They've gotten this far without any suspicious looks, no need to break their streak because someone bumps into him and feels sculpted metal instead of flesh.
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Alex gives Natasha a quick glance as she draws closer to him while they move with the crowd. Realizing the protection she's offering him, he smiles at her once again.
"I like your plans for this evening - so far," he teases.
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She has other plans, too (mostly involving ice-cream, if the vendor is still open), but if he plays the role he's chosen as her young man too well...
Well, she'll cross that bridge when she comes to it. Hopefully, he won't.
"Once we get on the train, it's the third stop" she says, thanking her luck that her university friends were the outgoing kind. She was good at maps, but nothing like socializing to familiarize yourself with the landmarks of a city.
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He sounds amused, even as he scans the crowd once again.
"The third stop? Not so very far, then."
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"The trick," Natasha continues once they found two seats by the window, "is fighting our way out after the second stop fills up the car. Ready for the battle?"
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For an instant, there's a flicker of grimness to his tone.
(It says something that he doesn't try to hide it from her.)
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"I might have an idea," she says, because it is - as far as she can understand his meaning - the truth.
Then she rests her head against his shoulder, and while she could just playing her part for their cover, the impulse is both honest, and far younger than the role she is playing.
(She did not really want to be alone today)
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Alex shifts just enough to slip his left arm free and put it gently around her shoulders - not restraining her in any way, of course not, but instead offering silent, shared comfort.
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It lasts until after the second stop, when she shakes her head slightly and sits up.
"We should move closer to the doors, otherwise we're going to be stuck here until we reach Red Square," she says with a quick smile at her own exaggeration. "Ready for the crowd?"
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He suits actions to words, getting to his feet and positioning himself to give her room to rise, too.
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The resulting crush isn't anything worse than normal for a commuter-population in an incredibly busy station, but it's very different from how Department X runs things. And despite all of Alex's confidence, Natasha is fairly certain it's been a while since he's had to navigate all of this, so she keeps a tight hold of him until they are in the clear.
"Having fun?"
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He feels at home in the city crowds for some reason, but he's appreciative of her efforts all the same. She may be small, but she's not delicate, oh no - Nataliya, no, Natasha is as fierce as her hair is bright.
"This was a good idea."
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"We haven't even got to the circus yet," she points out, but she's pleased and it shows. "Obviously, you need ride the Metro more often."
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"I've missed it," is all he says.
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"It's...good to be back in a city," she agrees, and then lets out an oddly long breath. "Now, this bit, is the bit I hate," she adds quickly, as they walk up the stairs towards the night-time street above.
Moscow seems doubly-cold after the warmth of the underground, and she's fairly certain that no one appreciates the blast of cold air. Get resigned to it, yes, but appreciate it?
Hell no.
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"I can see why."
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"Maybe we could be assigned to Sochi, and stay there over winter," she says with another quick laugh, adjusting her scarf. "We'd even be able to miss everyone taking their summer holiday that way."
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"I wouldn't object at all," he replies, blandly. "Much more comfortable than, say, Paris."
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Paris sounds...interesting.
When they reach the Circus on Tsvetnoy Boulevard, Natasha glances at the queue, and then back up at Alex.
"I know a man who works here," she says, casually. Unspoken, I can pull in a favour if you're game.
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He gives the queue a once-over of his own, then turns back to her. A flicker of teasing challenge is clear in his glance.
"Maybe you should see if he's around."
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She heads straight to ticket-booth, and the girl selling the tickets isn't quite quick enough to hide the look of resignation on her face. Party brats pushing in is hardly new.
Natasha smiles a little at her. "Please let Fyodor Antonovich know that Nataliya Ivanovna is here to collect her tickets."
The girl looks from Natasha to the queue, and then just nods. "I'll be right back, comrade," she says, and then leaves her seat. There is a tiny bit of grumbling behind Natasha, but she ignores it. Quickly, the girl returns with a man in his forties.
"Ah, Nataliya Ivanovna," he says, and the Volga is still - defiantly, almost - heavy in his voice. "Come right in."
Natasha inclines her head gracefully, and then gestures for Alex to follow her. As soon as the doors shut behind them, Fyodor Antonovich pulls Natasha into a quick hug and kisses her cheek. There is a shrapnel scar clear on his forehead, and he still stands like a solider.
"You're brazen, Natashenka," he says, tone genuinely fond, and she grins at him. "And this your young man?" he continues, glancing at Alex.
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His own stance is outwardly relaxed, his smile polite and restrained, even as he takes in the other man's scar and military demeanor.
After all, it's Natasha's contact; it's her lead.
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"Of course I can, Fedya," Natasha protests, having dropped the Muscovite accent she'd slid over her vowels. Her hand dives into her purse, and there is a quick exchange of roubles for the tickets.
"You give Ivan Petrovich my regards, girl," Fyodor says, glancing again at Alex.
"I will."
Fyodor nods, and then gestures them away. "Enjoy the show," he says, and Natasha tosses him a salute before curling her arm through Alex's and pulling him down the hall.
"We fought together," she says quietly by way of an explanation.
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