Natasha Romanoff (
redintheledger) wrote2013-06-05 01:55 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Entry tags:
OOM: Moscow, USSR, January 1947

Four days spent in the nearest approximation to wilderness that geography had to offer near Moscow, which in the middle of winter was no joke. She is glad to be back in the warm and dry, with hot water and no need to try and melt the ice from her eyelashes. Not to mention the ability to wear a civilian girl's clothes, instead of a soldier's layers.
But after four days with the company of Comrade Winter, her room with a bed just for her seems too much like a cell for her to be comfortable in it.
So Natasha is in the common room, newly outfitted with amenities such as some sofas, tables, and a wireless. There is also a piano, old like the sofas but kept in good condition. Despite herself, she gravitates towards it, and walks her fingers across the keys. It reminds her of Papa, and today isn't a very good day for that.
Natasha sits down, and tries to play anyway. She can't remember any of the music Papa taught her, but she can stumble her way through some chords. It's better than sitting in her room and wallowing.
no subject
"He has the look."
no subject
Then she glances at at him, mouth dimpling in one side. "You have it, too, otherwise he'd probably have said something...embarrassing."
Her subsequent sigh is very, very adolescent.
no subject
Outwardly, he grins at her.
"Embarrassing? Like what?"
no subject
"Allow me, Alex, my dignity," she says archly as they walk into the seating area. "Where do you want to sit?"
Not that she'd ever change the subject, oh no.
no subject
Nowhere too high, not if they want a good view - and besides, being in a crowd is its own sort of protection. Still, somewhere that it'd be hard to line up a shot on them would be best, just in case, and near an exit, which means not in the center of any row...
It takes him all of five seconds, if that.
"There." He nods toward a couple of empty seats, and glances at her for her reaction.
no subject
"Let's go," she says, with a bright smile as if she never looked for the nearest exit. They make their way over, and she does no more than glance at him when he ends up closer to the aisle than her.
Men.
"When was the last time you saw the circus? Or...haven't you?"
no subject
WELCOME TO THE WORLD OF TOMORROW!
"... don't remember, actually. Never here, though."
no subject
"Wellllll," she says, "it's known as the best in Russia for a reason. So you're in for a treat."
She likes that, although his answer puzzled her, being able to show him something new and amazing.
no subject
"It was a long time ago. I'm looking forward to this one."
His smile flashes then, quick and bright.
"After all, the company's better."
no subject
That she shows the expression is in itself as large a gesture of trust as anything else.
"You're good with the lines, comrade. I'll give you that much," she says, entertained, as if she were the teacher and he her student. Then her expression shifts, just enough to be genuine.
"I love...seeing shows. Not just the circus, but the...ballet, too, or productions at school, when I went. Cinema, even. All of them. It's...Good seeing people enjoy a good show."
no subject
He looks out at the arena, letting his glance flick over the crowd.
"The Americans love the pictures, you know. The cinema."
no subject
It's Alex that is the unknown here, showing flashes of himself.
"More than everyone else?"
no subject
"They think so. They are very proud of their Hollywood, you see."
no subject
Her expression turns crooked.
"And does it make them lots of money?"
(In private, she would have asked him how good Hollywood actually was; but they are in public, and she is a child of the thirties. She holds her tongue on the assessment of their Main Adversary.)
no subject
"Some of them, oh yes. Not people like us, of course."
no subject
"No, people like us are the ones who splice the film together, or put up the sets. Not nearly glamorous enough."
Her tone is amused enough that it's clear she doesn't mind.
no subject
"They'll never know what they're missing."
no subject
"Speaking of-!" Natasha says, letting herself smile at the alignment of events.
And then she keeps smiling, because the lights over the crowd dim, and the parade starts.
no subject
It's quite a while later when the two of them mingle with the crowd on the way out of the circus.
Alex is grinning.
"I still say the acrobats weren't that impressive," he teases.
no subject
I wonder how you'd go about learning some of that," she adds, tone thoughtful.
no subject
Even as he speaks, he flicks his gaze over the crowd, but all appears well, and so he returns his attention to Natasha.
"Join the circus?" he suggests, blandly.
no subject
Not hard, though. Metal has a distressing tendency to win when it comes to altercations with flesh.
"Tempting, but I don't think I'd be able to handle the circus and doing my degree."
no subject
Not to mention her other training.
The cold outside hasn't gotten any warmer. He shrugs his shoulders inside his coat, settling it more closely against the back of his neck, and looks down at her.
"How long do you have before you finish, anyway?"
no subject
Her look at him is a little sharp. He could just be asking, but she wants to keep studying linguistics. Of course she'd accept if they want her to study something else, because she is loyal, but-
no subject
He lets out a short breath.
"Okay."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)