Natasha Romanoff (
redintheledger) wrote2013-06-05 01:55 pm
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OOM: Moscow, USSR, January 1947

Four days spent in the nearest approximation to wilderness that geography had to offer near Moscow, which in the middle of winter was no joke. She is glad to be back in the warm and dry, with hot water and no need to try and melt the ice from her eyelashes. Not to mention the ability to wear a civilian girl's clothes, instead of a soldier's layers.
But after four days with the company of Comrade Winter, her room with a bed just for her seems too much like a cell for her to be comfortable in it.
So Natasha is in the common room, newly outfitted with amenities such as some sofas, tables, and a wireless. There is also a piano, old like the sofas but kept in good condition. Despite herself, she gravitates towards it, and walks her fingers across the keys. It reminds her of Papa, and today isn't a very good day for that.
Natasha sits down, and tries to play anyway. She can't remember any of the music Papa taught her, but she can stumble her way through some chords. It's better than sitting in her room and wallowing.
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Paris sounds...interesting.
When they reach the Circus on Tsvetnoy Boulevard, Natasha glances at the queue, and then back up at Alex.
"I know a man who works here," she says, casually. Unspoken, I can pull in a favour if you're game.
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He gives the queue a once-over of his own, then turns back to her. A flicker of teasing challenge is clear in his glance.
"Maybe you should see if he's around."
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She heads straight to ticket-booth, and the girl selling the tickets isn't quite quick enough to hide the look of resignation on her face. Party brats pushing in is hardly new.
Natasha smiles a little at her. "Please let Fyodor Antonovich know that Nataliya Ivanovna is here to collect her tickets."
The girl looks from Natasha to the queue, and then just nods. "I'll be right back, comrade," she says, and then leaves her seat. There is a tiny bit of grumbling behind Natasha, but she ignores it. Quickly, the girl returns with a man in his forties.
"Ah, Nataliya Ivanovna," he says, and the Volga is still - defiantly, almost - heavy in his voice. "Come right in."
Natasha inclines her head gracefully, and then gestures for Alex to follow her. As soon as the doors shut behind them, Fyodor Antonovich pulls Natasha into a quick hug and kisses her cheek. There is a shrapnel scar clear on his forehead, and he still stands like a solider.
"You're brazen, Natashenka," he says, tone genuinely fond, and she grins at him. "And this your young man?" he continues, glancing at Alex.
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His own stance is outwardly relaxed, his smile polite and restrained, even as he takes in the other man's scar and military demeanor.
After all, it's Natasha's contact; it's her lead.
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"Of course I can, Fedya," Natasha protests, having dropped the Muscovite accent she'd slid over her vowels. Her hand dives into her purse, and there is a quick exchange of roubles for the tickets.
"You give Ivan Petrovich my regards, girl," Fyodor says, glancing again at Alex.
"I will."
Fyodor nods, and then gestures them away. "Enjoy the show," he says, and Natasha tosses him a salute before curling her arm through Alex's and pulling him down the hall.
"We fought together," she says quietly by way of an explanation.
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"He has the look."
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Then she glances at at him, mouth dimpling in one side. "You have it, too, otherwise he'd probably have said something...embarrassing."
Her subsequent sigh is very, very adolescent.
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Outwardly, he grins at her.
"Embarrassing? Like what?"
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"Allow me, Alex, my dignity," she says archly as they walk into the seating area. "Where do you want to sit?"
Not that she'd ever change the subject, oh no.
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Nowhere too high, not if they want a good view - and besides, being in a crowd is its own sort of protection. Still, somewhere that it'd be hard to line up a shot on them would be best, just in case, and near an exit, which means not in the center of any row...
It takes him all of five seconds, if that.
"There." He nods toward a couple of empty seats, and glances at her for her reaction.
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"Let's go," she says, with a bright smile as if she never looked for the nearest exit. They make their way over, and she does no more than glance at him when he ends up closer to the aisle than her.
Men.
"When was the last time you saw the circus? Or...haven't you?"
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WELCOME TO THE WORLD OF TOMORROW!
"... don't remember, actually. Never here, though."
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"Wellllll," she says, "it's known as the best in Russia for a reason. So you're in for a treat."
She likes that, although his answer puzzled her, being able to show him something new and amazing.
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"It was a long time ago. I'm looking forward to this one."
His smile flashes then, quick and bright.
"After all, the company's better."
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That she shows the expression is in itself as large a gesture of trust as anything else.
"You're good with the lines, comrade. I'll give you that much," she says, entertained, as if she were the teacher and he her student. Then her expression shifts, just enough to be genuine.
"I love...seeing shows. Not just the circus, but the...ballet, too, or productions at school, when I went. Cinema, even. All of them. It's...Good seeing people enjoy a good show."
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He looks out at the arena, letting his glance flick over the crowd.
"The Americans love the pictures, you know. The cinema."
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It's Alex that is the unknown here, showing flashes of himself.
"More than everyone else?"
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"They think so. They are very proud of their Hollywood, you see."
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Her expression turns crooked.
"And does it make them lots of money?"
(In private, she would have asked him how good Hollywood actually was; but they are in public, and she is a child of the thirties. She holds her tongue on the assessment of their Main Adversary.)
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"Some of them, oh yes. Not people like us, of course."
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"No, people like us are the ones who splice the film together, or put up the sets. Not nearly glamorous enough."
Her tone is amused enough that it's clear she doesn't mind.
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"They'll never know what they're missing."
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"Speaking of-!" Natasha says, letting herself smile at the alignment of events.
And then she keeps smiling, because the lights over the crowd dim, and the parade starts.
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It's quite a while later when the two of them mingle with the crowd on the way out of the circus.
Alex is grinning.
"I still say the acrobats weren't that impressive," he teases.
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I wonder how you'd go about learning some of that," she adds, tone thoughtful.
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