Natasha Romanoff (
redintheledger) wrote2014-03-15 11:55 am
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OOM: Paris, New Year's Eve, 1955

Except...
It's New Year's Eve. Both of them are increasingly tired and while they could use the parties for politicking, equally they could run the risk of being caught. It would not be out of character for James and Nancy to take the time to themselves like the devoted pair they are.
And what better time to finally get Alex to dance than New Year's? Get dressed in something nice and warm, head over to the big street party at Avenue des Champs-Élysées...
Not that she's going to tell him that. There's an element of surprise she's looking forward to. But while she's not going to tell him the details, it'd be the right thing to see how he'd like the idea, and if she should use one of her plans for a smaller celebration instead.
She waits until they are doing the clean-up from lunch (she washes, he dries), and then, with more artful innocence than she'd ever do for a real assignment, asks,
"What are your feelings on large crowds?"
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Then again, his prosthetic arm already makes it hard.
"I won't do that to you," is what she says.
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He puts away the last of the dishes, dries his hands, and leans back against the counter.
"So. What can we expect from the Champs-Élysées tonight?"
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Food, champagne, music and dancing. Possibly we'll have to dodge good luck kisses and mistletoe. But there'll be fireworks."
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"Especially the dancing."
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"I miss dancing."
She wipes her hands clean, and then hangs up the towel. There are things she wants to say - to confess that today is not the best day, today she is pouring herself into keeping it together and living, that it's still a little hard to breathe - but she swallows them.
It's always best to treat things as if someone else might be listening.
"I suspect, given the crowds, we'd probably best arrive earlier. Do you mind eating out? If we can find anywhere?"
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"I accept your offer. And, good luck. Of course," she adds, taking off her apron, "tomorrow is a holiday as well. We'll be able to enjoy the entire morning in quiet, as everyone else will be hungover."
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"Good point." He waits only a single beat. "You're not hinting I should cook tomorrow, are you?"
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No.
But I might be wondering if you've magically improved on the subject of 'toast'."
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She breaks her patience only because they aren't being serious.
"Where are you taking me?"
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"How mysterious."
She does not sound displeased.
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The street curves slightly, leading downhill. He doesn't follow, but guides her up the hill, toward the mouth of a small alley where dim candlelight discreetly indicates the presence of a door.
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"But I'm not always sure what language the book is written in."
The discreet door gets a flare of excitement - discretion tends to mean exclusiveness of one form or another, always fascinating. But she doesn't ask; this is his show.
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"Monsieur, Madame," murmurs the host just within, as he beckons to someone to come take their coats. "Welcome to Anjou."
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"Charmed, thank you," she murmurs back at the host, shooting her partner an impressed look once the other man had turned his back.
And if her appreciation is a combination of both personal and professional, well. Only they need to know.
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The restaurant has more than a hint of Old World elegance in its design and in the richness of their surroundings. Their table isn't the best in the house, of course, but neither is it in an awkward location.
"Quite a bit of history here, of course."
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She picks up the menu and, in the guise of discussing their meal with him, leans in.
"Thank you."
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He owes Henri Durant for this, and he's well aware the man will find a way to call in the favor due... which in itself will be useful for the purposes of their mission.
But mission or not, he finds he's pleased to be able to do this for his partner.
"Happy New Year."
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"Happy New Year," she replies, with a faint emphasis that she really couldn't help.
"Now, important matters," Nancy says, glancing down at the menu. "...did any of your sources make any recommendations?"
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Some time later, as an after-dinner coffee and cordial are set before them, James raises his eyebrows at her.
"Was there any particular time we needed to be -- wherever you're leading me next?"
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"Mm, no, not really. It'd be a good idea to get there soon, but it's not a set time."
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He takes a sip of his coffee. Blandly, he adds,
"I'm entirely at your mercy."
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"Always a good thing to be aware of."
A little more directly (perhaps, even, a little too quickly): "So you have no other tricks up your sleeve?"
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