Natasha Romanoff (
redintheledger) wrote2014-03-15 11:55 am
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OOM: Paris, New Year's Eve, 1955

Except...
It's New Year's Eve. Both of them are increasingly tired and while they could use the parties for politicking, equally they could run the risk of being caught. It would not be out of character for James and Nancy to take the time to themselves like the devoted pair they are.
And what better time to finally get Alex to dance than New Year's? Get dressed in something nice and warm, head over to the big street party at Avenue des Champs-Élysées...
Not that she's going to tell him that. There's an element of surprise she's looking forward to. But while she's not going to tell him the details, it'd be the right thing to see how he'd like the idea, and if she should use one of her plans for a smaller celebration instead.
She waits until they are doing the clean-up from lunch (she washes, he dries), and then, with more artful innocence than she'd ever do for a real assignment, asks,
"What are your feelings on large crowds?"
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She breaks her patience only because they aren't being serious.
"Where are you taking me?"
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"How mysterious."
She does not sound displeased.
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The street curves slightly, leading downhill. He doesn't follow, but guides her up the hill, toward the mouth of a small alley where dim candlelight discreetly indicates the presence of a door.
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"But I'm not always sure what language the book is written in."
The discreet door gets a flare of excitement - discretion tends to mean exclusiveness of one form or another, always fascinating. But she doesn't ask; this is his show.
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"Monsieur, Madame," murmurs the host just within, as he beckons to someone to come take their coats. "Welcome to Anjou."
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"Charmed, thank you," she murmurs back at the host, shooting her partner an impressed look once the other man had turned his back.
And if her appreciation is a combination of both personal and professional, well. Only they need to know.
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The restaurant has more than a hint of Old World elegance in its design and in the richness of their surroundings. Their table isn't the best in the house, of course, but neither is it in an awkward location.
"Quite a bit of history here, of course."
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She picks up the menu and, in the guise of discussing their meal with him, leans in.
"Thank you."
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He owes Henri Durant for this, and he's well aware the man will find a way to call in the favor due... which in itself will be useful for the purposes of their mission.
But mission or not, he finds he's pleased to be able to do this for his partner.
"Happy New Year."
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"Happy New Year," she replies, with a faint emphasis that she really couldn't help.
"Now, important matters," Nancy says, glancing down at the menu. "...did any of your sources make any recommendations?"
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Some time later, as an after-dinner coffee and cordial are set before them, James raises his eyebrows at her.
"Was there any particular time we needed to be -- wherever you're leading me next?"
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"Mm, no, not really. It'd be a good idea to get there soon, but it's not a set time."
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He takes a sip of his coffee. Blandly, he adds,
"I'm entirely at your mercy."
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"Always a good thing to be aware of."
A little more directly (perhaps, even, a little too quickly): "So you have no other tricks up your sleeve?"
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"But none that need playing tonight."
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We have fun."
(Not that the two are mutually exclusive, even if the last major piece of play had involved more of her own emotions than acting.
But there's a thrill, much like with any other kind of fight.)
"And you've spent so long avoiding dancing with me, I'm not sure if you can or not."
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"That sounds suspiciously like a challenge."
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"I can't imagine how that happened.
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"Lead me to the dance floor, and we'll find out."
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Suits her.
And it's not as if Paris's jazz bands are driven underground like Moscow's.
The night is colder now, although not as cold as she's used to winters being when you actually walk around in them. She adjusts her hat, and then steps back in to his side.
"That, I think, was the best meals I've had since we've arrived."
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"I'm glad I was able to take you there, then."
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She's not talking about dinner, but rather, whatever strings he pulled to get them there. There are strings. Of course there are strings. Even if war had never happened, and she'd had a perfectly normal academic career without being recruited anywhere more dramatic than a social club, there would have been strings.
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Not that he expects to, but it's nice of her to offer.
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The closer they move towards Avenue des Champs-Élysées, the more the crowds build, both in number and laughter. It's a party night, and the mood is infectious.
(Briefly, she thinks of Enjolras, banished from his beloved Paris by death. There is no opportunity to show him, and it's not worth the secruity risk, but she tries to remember what she sees. If he could stand it, maybe he wouldn't mind hearing.)
"And now," she says, twirling out from Alex | James in a flare of coat and skirts, "we mingle."
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