Natasha Romanoff (
redintheledger) wrote2013-10-26 08:36 pm
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OOM: Khabarovsk, Siberia, USSR, 1955

(He'd wanted her to do it; she had stared at him coolly, taping a letter-opener casually against her fingers until the agent backed off.)
Mostly, the office is nearly silent. Izmaylov is typing up a report at the other end, Natasha is sorting through (and fixing) the filing system, and occasionally Chigrakov the guard pokes his head in from the foyer.
It's much, much better than being in her apartment.
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"It seems like a nice enough place."
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This is...nice." She unlocks the door, and hangs up her coat before taking off her boots. "The kitchen is probably best given we're...dripping. Just down the hall, and first on your right. I'll be back with some towels."
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He strips out of his own coat and hangs it up with hers, then makes his way down the hallway as directed.
It's a comfortable kitchen, not too large, but with enough space to serve communal needs. He doesn't explore into any cabinets or shelves, but does take a moment or two to mentally run through lines of sight from all the angles in the room, as well as the windows.
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"Here you go," she says, passing it over. "I'll just put the kettle on, and then sort myself out."
She feels muddled, and somewhat ungracious, but she's rapidly also feeling too tired to care. The kettle on her part of the stove, she quickly bustles out again. This time, her absence is a bit longer, but when she returns, she's wearing slippers and has a dressing gown over a dress that is, in fact, not black.
(Her mourning clothes are too good for hanging around the house on cold, wet nights.)
"Feeling any warmer?" she asks.
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He's passed up the chair in favor of a perch on the edge of one of the tables, one foot flat against the floor for balance and one swinging casually back and forth.
It's evident that he's scrubbed his hair dry with the towel, or tried to, and then finger-combed the results. The towel's now slung around his neck, and his hair is mostly tamed -- save for a few errant locks that are sticking up here and there.
"You?"
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"Getting there," she says, sitting at another one of the tables, her posture perhaps overly proper.
"So, are you telling my boss the good news of my new assignment? Or am I doing it."
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"Now that depends on how much time I have to pack. I should say you, but...I might admit to a part of me feeling very petty, and wanting to see his face myself.
We could tell him together on Monday? I need to pick up some things from my desk anyway."
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"How much am I allowed to take back? My books?"
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But it's there.
"I appreciate that. Thank you."
Beat.
"Would you mind helping me tomorrow, or are you...busy?"
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"You're welcome. And I'd be glad to help."
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"Oh, Alex?
You're carrying my sewing machine."
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"I remember you always did like fashionable clothes."
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"And I only ever tried to look like the ideal Soviet Woman."
(This is also known as 'using ideology as justification after the fact', or 'a lie'.)
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His grin is quick and bright, though.
"Of course you did."
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A part of her feels like saying, you know, if my husband was alive, I'd have told you to go to hell earlier. She swallows it. Her husband isn't alive, and Alex is a smart man. He can work it out, if he really wants to.
So instead, she just sips her tea.
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If he hadn't been sure, absolutely sure, that he was the right one to come--
"What time do you want me here tomorrow?" he asks, finally.
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"Ten o'clock? I should be be back from the markets by then."
Beat, and a look of amusement.
"And I'll have your report ready."
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Wry amusement gleams in his own answering look.
"I wouldn't expect anything less."
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"Reports have been one of the few things I've been able to practice."
She doesn't even want to think about how her English currently sounds, not until they are on a train with very little to do for almost a week.
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"We'll have to make sure Comrade Budanov is aware. He'll find a way to incorporate that skill, I'm sure."
His tone is light and teasing, but knowing Budanov, he'd probably do exactly that.
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And I make an excellent secretary."
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