She inclines her head at him graciously, and turns like she's taking a step in a ballroom dance before going back inside.
Backpack on (not that secure - if need be, she can slip out of it), wheels on her luggage (she can drop it, she can twist it and slam into someone's legs), and she's keeping the gun, Clint.
(she'll give it back once they reach the safehouse again.)
They pass a couple of her housemates, and she's turned on Natalie Rushman. Quietly reserved, but still bright-eyed and charming Natalie Rushman.
Natalie Rushman who is leaving, and she'll miss them.
Outside, it's quiet. Not silent, because this is still Tokyo, but the street is mostly empty. That's the important thing.
It makes it easier to see when her trackers start to move and follow them down the street.
no subject
Backpack on (not that secure - if need be, she can slip out of it), wheels on her luggage (she can drop it, she can twist it and slam into someone's legs), and she's keeping the gun, Clint.
(she'll give it back once they reach the safehouse again.)
They pass a couple of her housemates, and she's turned on Natalie Rushman. Quietly reserved, but still bright-eyed and charming Natalie Rushman.
Natalie Rushman who is leaving, and she'll miss them.
Outside, it's quiet. Not silent, because this is still Tokyo, but the street is mostly empty. That's the important thing.
It makes it easier to see when her trackers start to move and follow them down the street.